For years I feel like I didn’t expand my musical tastes much other than a bit of Contemporary Christian Worship music. I’m just shocked at how many great artists I’ve found that I like since listening to vinyl, or how many unique records I’ve come across. Aorta is the latter, and the Argent album In Deep is in the former category.
As soon as I picked up this album to clean, it struck me as a likely psychedelic album I’d never seen or heard of before. The album starts off with a beating heart sound, singing about your “Main Vein”, then goes into “Heart Attack”. Overall, I wasn’t too impressed with the earlier tracks.
I really enjoy some music that’s classified as Psychedelic, but some of the other groups I don’t care for. I guess it was such a short lived genre in it’s peak and it attracted a lot of varied groups, so there’s not a really focused sound; it was a style of music that encouraged experimentation, and eventually led to both the progressive and hard rock genres. Sometimes I feel like if a band sings about using drugs they get thrown in the Psych group by some sources, regardless of musical style. But it’s always cool to find a new album and group.
As the album continued on, I started to like the later tracks on Side 1. Then on Side 2, things really started getting better. By track 3, Ode to Missy Mxyzosptlk, A little more fuzz was on the guitar, the beat was more driving, and it really became more of a true rock album. Maybe not one of my all-time favorites, but I plan on holding onto it for a while.
Then there’s the Argent album In Deep, which was in the first collection I purchased in November. From the very first song, I was hooked. “God gave Rock and Roll to you….” It was just an amazing sound. To my ears, their sound is so ahead of their time – even their album artwork looks more like 1990’s than 1970’s. I had to verify when this album was released, and was shocked to discover it was almost as old as I am, being released in 1973.
The next songs are It’s Only Money Part 1 and It’s Only Money Part 2. Part 1 has a driving beat which just rhythmically keeps says “It’s money, It’s money, It’s money” in my head. The combination of the guitar, drums, bass and amazing keyboards just makes me feel like it’s recreating the stress of most jobs, with the limited singing being the weekends in our lives. Part 2 sings “It’s only money, ain’t it funny when you want it you ain’t got it.” It carries an entirely different rhythm, but keeps the driving weekday, lighter weekend interlude feel. There’s even a nod to the Beatles “Money” at the start of the Bridge.
Side 2 starts of with “Be Glad”, which goes a few different directions. At times you wonder if it’s the same song as it morphs from one groove to the next, but it works very well as just a cool 8-minute jam that seems to explore various keyboard sounds, and starts hinting at Christmas-like melodies at times, including a brief run of chimes, that sort of sets the stage for the second song: Christmas for the Free.
This is the day of Jesus; This is the day of Peace.
Joy to the World at Christmas; Jesus this is Christmas for the Free
Blunt is the pain of Hunger; cold is the wind of Grief
Motherless child has a hard time; Jesus this is Christmas for the Free
It’s a strong song, having great guitar and keyboards as well as great vocals. To me the song is a conviction of the commercialism of Christmas – from 1972. My summary is this: Why are people fighting when this is the day of Peace? They have everything they need, and others have nothing. Why don’t we give more and help others?
The next track is Candles on the River which is about overpopulation according to the jacket. I’m not sure I really understand all the words, let alone get that it’s about too many people in the world. It is a dark sounding song, but I just think it’s awesome. Maybe it’s the guitars and drums and an amazing organ solo that distract me. It could just as easily be about too many people trying to tell me what to do with my life.
The final song is Rosie. It’s a good song, but it was when i first heard it that I decided I had to figure out who was in this band, because it sounds a little like Rod Stewart. I think it’s the weakest song on the album, but it’s still good, with decent guitar and a nice upbeat tempo.
I actually found a copy in my listening backlog as well, so now I have a copy at the office and a copy at home. I’ve listened to the album several times in a few weeks; it just really suits my music tastes. Then I found a copy of a later album, Circus, also in my backlog since who-knows-when. I don’t recall getting it, so I’m guessing it was the summer of 2015 when i was buying way too many albums and didn’t have a good system for quickly processing them.
The Circus album has mostly circus-themed songs, but it’s more synth-driven than guitar focused. It’s more Billy Joel and space-synth stuff than Traffic or Soup like the In Deep album. It still has a similar feel, and if I listen to both of them for a while, I think there’s enough to say “that sounds like Argent…” on this album – especially the second track on Side 2 – Shine on Sunshine. It does have some cool artwork on the inner sleeve too.
It’s probably telling that the Argent Greatest Hits album has no tracks from Circus. I didn’t love it instantly like I did the first one, but I’ll work on seeking out some of the other Argent albums for the collection, because In Deep keeps getting regular spins on the turntables both at home and office.